{"id":16857,"date":"2024-03-27T14:42:50","date_gmt":"2024-03-27T14:42:50","guid":{"rendered":"https:\/\/www.ucf.edu.cu\/?p=16857"},"modified":"2024-03-27T14:45:05","modified_gmt":"2024-03-27T14:45:05","slug":"ella-viene-del-tiempo","status":"publish","type":"post","link":"https:\/\/www.ucf.edu.cu\/?p=16857","title":{"rendered":"Ella viene del tiempo"},"content":{"rendered":"\t\t
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Ella viene del tiempo para hablarnos del exilio, de las dentelladas del exilio. Y de su tierra, es decir, de sus amores. Viene a contarnos c\u00f3mo contrae matrimonio todav\u00eda adolescente con su primo, y c\u00f3mo descubren en su casa la correspondencia de su esposo desde el Norte, los papeles de la conspiraci\u00f3n.<\/p>

Emilia ser\u00e1 la primera cubana desterrada por razones pol\u00edticas. Es 1850. Cirilo Villaverde la pintar\u00e1 \u201cgr\u00e1cil, entusiasta, filibustera\u201d. Ella viene a contarnos como la vida la lleva (la sacude), de Matanzas a Nueva York, a Madrid, lejos. Y c\u00f3mo el pecho se le quema, c\u00f3mo le aprieta la nostalgia. Y c\u00f3mo una mujer espanta la soledad, c\u00f3mo la vela de su vida sigue encendida, c\u00f3mo corre el horizonte.<\/p>

Ella, por supuesto, nos cuenta c\u00f3mo tom\u00f3 unas sedas blancas y azules, y un retazo de tejido rojo, para llevar a la tela el trazado de su esposo, Miguel Teurbe Tol\u00f3n y de la Guardia (1820-1857), bajo la idea de Narciso L\u00f3pez. Y c\u00f3mo de sus dedos emergi\u00f3, puntada a puntada, la bandera de la estrella solitaria.<\/p>

\u00bfQu\u00e9 luz y qu\u00e9 desvelos tendr\u00eda ese instante? \u00bfC\u00f3mo acariciar\u00eda las cinco puntas? \u00bfC\u00f3mo tocar\u00eda aquella tela primigenia, virgen a\u00fan, camino al combate?<\/p>

Ella es Emilia Margarita Teurbe Tol\u00f3n y Otero (1828-1902), la bordadora de la que ser\u00e1 nuestra ense\u00f1a nacional.<\/p>

Ella viene como una aparici\u00f3n. La atm\u00f3sfera nos envuelve, nos devora. Miriam se deja habitar, Miriam Mu\u00f1oz, Mirita, la reconocida artista matancera, la misma que alguna vez fuera Edith Piaf y fuera Chaplin. Ahora es Emilia bordando la bandera, en el silencio diamantino de fundar. Y anda bordando al personaje con la misma hebra, fina y firme, sin estridencias (tan en boga en estos d\u00edas), con el tono exacto, detenida ora en sus reclamos, ora en sus angustias.<\/p>

El meticuloso, el detallista trabajo escenogr\u00e1fico y de vestuario de Rolando Est\u00e9vez nos da el pase (el toque), para transfigurar la escena, para entrar en esa vida. Emilia es una presencia m\u00edtica, pero olvidada. La obra permitir\u00e1, incluso, que se coloque una placa en su calle, en su muro. Como una vuelta del destino, la int\u00e9rprete vivi\u00f3 al lado de la casa de la patriota y dir\u00e1 unas palabras en su puerta.<\/p>

Mirita rescata a Emilia, Emilia rescata a Mirita. Ambas han vivido momentos dif\u00edciles, momentos grises. Ambas han sobrevivido.<\/p>

Ulises Rodr\u00edguez Febles, tiene conciencia de la memoria esc\u00e9nica y de la memoria cubana. Fundidas en un haz. En el texto de su pieza\u00a0Emilia habla con los que no la escuchan<\/strong>\u00a0(Teatro Icar\u00f3n), dialoga con los fantasmas del personaje y hasta con los nuestros. Va del costurero a la gloria, de la intimidad al desaf\u00edo. Y hace ondear la inmarcesible, la inextinguible, la irrenunciable necesidad de la libertad.<\/p>

Mon\u00f3logo estrenado el 29 de enero de 2023 (en el cumplea\u00f1os de la actriz) y bajo su direcci\u00f3n general, cada funci\u00f3n tiene su propia marca. Santiago de Cuba, Festival M\u00e1scara de Caoba. Miriam-Emilia se adelanta al proscenio del caf\u00e9 teatro Macub\u00e1, extiende sus manos y\u2026 besan la bandera dos leyendas del teatro cubano, Ver\u00f3nica Lynn y Nancy Campos.<\/p>

Cuba flamea.<\/p>

Cuando el tiempo nos la devuelve, corro en su b\u00fasqueda. Levanto el tel\u00f3n. Me mira con esos ojos, y me responde, me confiesa, me anuncia, que no piensa dejar el escenario… no hace falta, \u00bfverdad?, no hace falta…. La abrazo encima de las tablas, me fundo a Miriam en un balc\u00f3n con la ciudad detr\u00e1s. Y me voy con ella, con Emilia, con la dama que viene del tiempo.<\/p>

Tomado de Juventud Rebelde.<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Ella viene del tiempo para hablarnos del exilio, de las dentelladas del exilio. Y de su tierra, es decir, de sus amores. Viene a contarnos c\u00f3mo contrae matrimonio todav\u00eda adolescente con suLeer m\u00e1s…<\/a><\/p>\n","protected":false},"author":6,"featured_media":16858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-16857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"yoast_head":"\nElla viene del tiempo - Universidad de Cienfuegos<\/title>\n<meta name=\"description\" content=\"Noticias del \u00e1mbito universitario de la casa de altos estudios de Cienfuegos. 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